Events

Rein Mägar will open his personal exhibition Facial Recognition in Draakon gallery at 5.30pm on Monday, January 13th, 2020.   “Facial recognition is a special purpose computer program or function used for identification or automatic verification or examination of a person.” (Wikipedia)   Current exhibition mainly consists of portraits while offering an amusing opportunity to search for common features between computer-based work and portrait painting, as also the title of the exhibition - “Facial Recognition” - is referring to. A computer program is able to spot a human face in a frame in a fraction of a second while comparing the face to thousands of other faces. Therewith the program uses 68 points for defining a face whereas the tip of the nose is always the point No.

You are cordially invited to the opening of Alina Orav's solo exhibition “Polyview Worlds” on the 7th of January at 6 pm on the bottom floor at the Haus Gallery. You can get in by calling the bell button by the door of the gallery.   Artist Talk is conducted by Sandra Jõgeva on the 14th of January at 18. The exhibition open until the 8th of February.   Thank You to:

Join us for the opening of the solo exhibition “Five Volumes” by Paul Kuimet on Friday, January 3 at 6 PM. The exhibition will remain open until January 25. 

On Friday, 20 December at 17.00 the traditional annual exhibition of Tartu art will be opened at the Tartu Art House, designed by Martti Ruus.   According to the decision by the members of the Tartu Artists’ Union, this year’s exhibition is curated and designed by the artist Martti Ruus who plans to create a dignified exhibition atmosphere that is both architectural and compositionally consistent and allows the art to shine in its beauty.

Starting from 21 December, the exhibition by Edgar Tedresaar and Sten Saarits, “Black Gold” will be open at Tallinn City Gallery. With paintings, video and sound, the exhibition seeks to give an idea of the amount of land occupied by the fossil fuel industry. The exhibition is curated by Siim Preiman.   The exhibition will open on Friday, 20 December at 6pm and will remain open until 16 February.   Although people have known how to drill for oil and use it to prepare kerosene for thousands of years, large-scale exploitation of this mineral resource only began in the mid-19th century when scientific advances led to the development of petrol, diesel, plastics and fertilisers. “Black Gold” deals precisely with this dark matter that has now become our chief energy resource.

Sisters can be smart, mean, and sharp, as depicted by Edith Karlson’s giant snake installation at a current exhibition in KUMU. At the Tallinn Art Hall Gallery, however, Mall Paris and Edith Karlson prove that there is another side to the coin. The exhibition is about sisters in their best effort to understand one another and the shared choice of being an artist.   You are invited to the opening of the exhibition on Thursday, 19 December at 6 p.m.   Mall Paris and Edith Karlson are well known to our art lovers. Mall with her quiet, constant presence, her well-known sequential and minimalist paintings which may as well be anonymous but are definitely not – because of the movement of the hand that is careful yet traceable, reveals a many-layered and glazing way of painting, with different lights and textures echoing through.

Jass Kaselaan will open his personal exhibition Grandmother's Birthday in Draakon gallery at 5pm on Tuesday, December 17th, 2019.   "When I was a child then my grandmother taught me never to stroke a rat backwards - it can get freightened and become angry. We lived in a small house full of rats. On cold winter nights some of the rats climbed to grandmother's bed to look for warmth. I cannot remember grandmother's last birthday; I know that she got flowers as a present."   This is Jass Kaselaan's short introduction full of imagery to his new exhibition where the artist presents a large-scale installation applied to both the walls and the floor of Draakon gallery.

Opening of the exhibition is on the 12th of december at 18.00 Buoyed by the winds of perestroika in the late 1980s, Siim-Tanel Annus (1960) appeared on the international scene as a unique performance artist. During the profound stagnation years, he created mystical semi-secret performances in his garden. The most famous was Passages (1987), which was accompanied by Ariel Lagle’s original music. Today, the artist has moved on from the performances that brought him fame as an artist in the past, and deals primarily with pictorial creation, which also inspired his past performances. The exhibition juxtaposes the documentation of his performances with his graphic art from various decades, including the present. Curator: Liis Kibuspuu (Tallinn University).

The international exhibition of contemporary art, “Disarming Language: Disability, Communication, Rupture” will open at Tallinn Art Hall on 13 December. Works by 13 artists were selected by curators Christine Sun Kim and Niels Van Tomme. The exhibition will be produced in cooperation with the Office of the Chancellor of Justice and the ARGOS Centre for Art and Media in Brussels.   The curators consider it important to break down the biases surrounding disability and have therefore selected works by disabled artists exhibited at the top galleries of the world, from the Guggenheim to the Tate. “By exploring the wide-ranging practices of disabled artists, we ended up seeing a common thread of artists and artworks unpacking ideas relating to language and communication.

The opening of the exhibition is on the 13th of December at 18.00.   The exhibition The Old Man and the Musical Score is a little gem composed of the works of Kaarel Kurismaa that are relatively unknown or never seen before. Amongst his artwork, which as a rule does not distinguish between mainstreams, days, and centuries, his oil paintings are the ones that can be dated the most clearly; his fun side is depicted in his collages and his basic truths binding his multi-faceted creation become apparent in his drafts and sketches. The visitor is greeted by an eternal retrospective love column with majestic monumentality and soul-stirring symphony of detail.