Events

Tanel Rander's personal exhibition Angelus Novus will be open in Hobusepea gallery from Wednesday, April 6, 2022. Exhibition will stay open until May 2, 2022. Tanel Rander: “Angelus Novus means that storm is blowing and the angel of history cannot close her wings. We are all watching her fading into the unknown future, with her eyes still nailed to the past. This exhibition is an insight to my creative sources that I used to suppress and neglect, while being focused on the outside world and its conventions. In the same time these sources were always supporting me, carrying me. We have built a pump house on our sources. And seen from that house every source is a resource. An instrument for something. Last year I wrote an article about this: “When Turbines Rotate, while Water Stands Still”.

08.-10.04 ARS Factory 19-29.04 Kämp Garden, Helsinki “Goods and Services” is a work-in-progress performance by Kasia Zofia Gorniak and Laivi, taking place at the Project Space at ARS Arts Factory in Tallinn from 8-10.4. Open daily from 11am-7pm. The exhibition continues at Garden Room, Kämp Galleria in Helsinki from 19-29.4. “Goods and Services” is an on-going collaborative project exploring ways of bridging the gap between clothing production and consumption, through practice. Each new iteration reflects on different aspects of the fashion industry supply chain, putting equal weight on process and product and how the value correlates. Carrying out the work in the gallery space, open to public, the artists blur the line between a production space, an exhibition and a retail space. https://www.instagram.com/goodsandservices____/

Exhibition “Self-Portrait as a Dancer and a Revolutionary” by Brit Pavelson and Cloe Jancis in Grenoble On 21 March, the duo show entitled Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis will open at the Galerie Showcase, Grenoble. The exhibition playfully addresses topics such as women’s everyday roles and the spaces in which these roles are expressed. Together they offer metaphors, self-portraits and subtle jokes that are rooted in a woman’s point of view, using the outdated clichés to their advantage. What are the roles that permeate through the definition of a parent, a partner and an artist? How can we best cope with the emotional states that different roles make us feel? Which domestic practices are considered “feminine” and what is their social or artistic value?

On Saturday, 2 April Maarja Nurk will open her solo exhibition “Temporary Constructions” in the monumental gallery of the Tartu Art House. This exhibition is about temporary, slippery structures, sunken constructions, and escape and rescue plans. Flucht- und Rettungsplan, Flucht- und Rettungsplan, Flucht- und Rettungsplan, Flucht- und Rettungsplan,Flucht- und Rettungsdplan, Flchut- und Rettungsplan, Flucht- und Rettungsplan, Flucht- und Rettungsplan, Flucht-und Rettungsplan, gFlucht- und Rettungsplan, Flucht- und Rettungsplan, Flcht- und Rettungsplan, Fllucht-  und Rettungsplan, Flucht, und Rettungsolan, Flucht- und Rettungsplan, Flucht- und Rettungsplan, Flucht- und Rettungsplan, Flucht- und Rettngsplan, Flucht- und Rettungdplan, Flucht- und Rettungsplan, Fulcht- und Rettungsplan, Flucht- und Rettungsplan.

On Saturday, 2 April Tõnis Saadoja will open his solo exhibition “September, October, March, April” in the large gallery of Tartu Art House. The painting series is based on architectural motifs, a minimalistic approach to painting and the idea of visibility. Use of architecture photos supports the internal logic of the painting and helps to amplify the feeling of unattainability that can be felt in familiar settings – something that has always haunted Saadoja. Probing the visibility of the image and the names of colours, these paintings straddle the transition between surface and space. Saadoja has tried to minimise as much as possible in terms of painting technique and optimise his approach to the little that is left. The colours on which the paintings are based upon have no logical connection to the place or fragment depicted; every main tone is different from the ones that precede and follow.

Tartu Art Auction takes place on 25 March at 5 p.m. in the Tartu Art House and will be conducted by Reigo Kuivjõgi (Art & Tonic). Tartu Artists’ Union will use its profit from the auction to assist Ukraine. Participation is possible on location, via zoom, over the phone or by placing a preliminary bid. To participate in the bidding, you have to register at oksjon@kunstimaja.ee by 24 March. Letter of registration must include information about your preferred method of participation. 50 works were selected for the exhibition. Participating artists are:

Tallinn Art Hall welcomes you to a cheerful last exhibition before the extensive renovation works of its main building. “We’ll Be Right Back, You Just Keep Playing!” brings together different generations of artists based in Estonia. You are welcome to the opening of the exhibition on Friday, 18 March at 6 pm!

Jass Kaselaan's personal exhibition Monster Follows the Sheep Carrier will be open in Hobusepea gallery from Thursday, March 10, 2022. Exhibition will stay open until April 4, 2022.  Jass Kaselaan: „Monster following the sheep carrier (the good shepherd) is an inevitability, a logical chain of cause and effect, natural and inescapable course of events. Current exhibition focuses on modeling of the resonation of pray-predator system and on creating a simulation. An important aspect here is both qualitative and quantitative analysis, evaluation and mapping of animated worlds as well as optimizing/organizing of these maps. Filtrating, designing and transforming of imported data. An attempt to make   the unfathomable perceivable at least to some extent – to mark the indication about the deceptive state of free will. Two mosaic murals and five sculptural objects are exhibited in Hobusepea gallery.“

Jaan Elken's personal exhibition “ON_OFF” will be open in Draakon gallery from Tuesday, March 8, 2022. Exhibition will be open until April 2, 2022.

Opening on Saturday, 5th of March at 5 p.m.  The first solo exhibition of Laura Kuusk in Võru consists of two of her recent works, with which the artist wishes to create a dialogue with people who are interested in food, clothes, technology and who ask questions about the origin and ways of being of the matter in our environment. She also puts the emphasis on the ways of composing by the nature and by the human.  The installation “How to Move as a Slime Mold” (2021) is built up as a sound cocoon created by a female voice and an ambient sound, walking the visitor through his/her/ their bodies to suggest an experience of becoming an other-than-human organism. The participants are asked to find a comfortable way of interacting with the installation and build their personal experience through spatial and auditory elements. The installation emphasises the idea of reuse and growing through change, not accumulation.